10 Minutes of Tennis: Your HANDS Are Everything!
Transcript
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Speaker:Justin Yeo, world renowned tennis pro in Puerto Rico, who is also an Aussie.
Speaker:And we are going to talk today about your hands.
Speaker:Why are your hands everything? The title today.
Speaker:Your hands are everything. As I use my hands to talk, right?
Speaker:Hands are everything. We talk racket sports. You've heard all the
Speaker:benjourneys and keep your eye on the ball and keep your hands in front and
Speaker:good hands. Oh, somebody hits a nice, oh, good hands at the net.
Speaker:Is that what we're talking about? Are we talking a little more technical?
Speaker:Where are we going with this, Justin?
Speaker:Well, yeah, I mean, it's more than technical. You know, as a player gets better and better
Speaker:in the top. One thing that mostly shows is their hands.
Speaker:And if you, I don't know, from people that have played this
Speaker:port enough, if you actually watch the players, if you watch how they hit
Speaker:ball, you just try to amaze by how good their hands are.
Speaker:And the, you know, majority of areas come from the hands,
Speaker:you know, because the tension for the mind was saying something,
Speaker:but the hands, there's got to be an automatic feeling with their hands that
Speaker:can make you, you know, win or lose or play well or play poorly.
Speaker:But the hands come down to, I guess what we call grip tension,
Speaker:understanding, you know, palm of the hands, to give yourself more chances of
Speaker:feeling or controlling the ball.
Speaker:But yeah, I guess what the whole point is, there are a lot of, a lot of
Speaker:players, a lot of, I guess people that hit a lot of balls every day
Speaker:and they tell, well, I'm turning the shoulders, my feet are in position,
Speaker:I've made a good decision. Why kind of get that ball there every single time?
Speaker:Why kind of just, a lot of that comes into when the players hit a not
Speaker:ball, it's their hands and connection is direct to ball,
Speaker:to change direction or target.
Speaker:We'll just do things that they didn't think they could do
Speaker:because that ends are the ones that mean the difference.
Speaker:And a crazy example, but think about Gullwig and
Speaker:Curios and some of these guys with only different trick shots.
Speaker:That's not something you technically, you know, you go out and say,
Speaker:well, I'm going to do that. It's just they have really good hands.
Speaker:And one of the other big ones for a long time, which we all don't talk about
Speaker:enough anymore, which I'm very sad about, I brought you better.
Speaker:I mean, better at reason why he wasn't so injured, he didn't have to rely so much
Speaker:on the body and technique. They all look and I'm saying,
Speaker:here for technique, what are you having? Incredible, huh?
Speaker:I mean, talk about talent on the hands. Like what he accomplished,
Speaker:that no one else could do, a hot, hot bowling back in and, you know,
Speaker:rippling forehands and hitting shots that up up the tones or off the
Speaker:ball on the rise, you're talking about hands.
Speaker:So that's what I'm talking about, that hands. Okay, so that makes me think of,
Speaker:that makes when you say Roger, that makes me think of why he's such a great
Speaker:server with with a toss that isn't as obviously different. You got an
Speaker:antibiotic, maybe not the guy with great hands, but so his served toss is
Speaker:completely different on the second serve where Roger seemed to be able to do more
Speaker:with a similar toss. I think of Pete Samperous being able to do the same thing,
Speaker:but that just makes me wonder are the servant valliers potentially going to
Speaker:have better hands? Go back to a John McEnroe, you look at him and he almost looks
Speaker:awkward every other time he hits the ball because it's just all about his hands.
Speaker:He didn't care how it looked on the court.
Speaker:John McEnroe is a great example of hands of in for real.
Speaker:You know, we had that odd forehand grip that just he still,
Speaker:to this very day in his age, can still hit with some of the best
Speaker:because of his hands. So hands are, I mean, I guess the emphasis
Speaker:is what I'm pointing out is that when I see teachers,
Speaker:a coach and teaching of this sport, we don't spend enough emphasis on your
Speaker:hands have to direct the ball with your palm and you have you want to hear you want to hear
Speaker:if you want to deep your hands been directed deep. You want to short it can
Speaker:it's not just about technique or rolling the elbow or finishing your follow through
Speaker:here. A lot of it has to do with what the hands are doing to the ball.
Speaker:And that takes me back to the to the beginner almost. Okay, we are example is
Speaker:a John McEnroe and Roger Federer. But when I'm working with the seven-year-old
Speaker:and I say I need that racket face going forward, I'm talking about the palm of the
Speaker:hand. I'm talking about directing the ball left or right or up or down.
Speaker:And if they can picture the racket as an extension of the hand,
Speaker:that sounds again like another bumper sticker for tennis coaches, right?
Speaker:Very direct. It is the bumper sticker for not the bumper sticker. The racket is the extension
Speaker:of your hands. Sorry. So that concept even from a beginner to understand the
Speaker:racket face similar to the palm of the hand. 100%. I guess what I'm saying,
Speaker:a lot of coaches talk about it but eventually it loses sort of traction
Speaker:because we're getting technical footwork ride or whatever. But you can't let go.
Speaker:Like okay, all my lessons, my first five minutes, I say to people, we don't do
Speaker:that half foot stuff. Half foot to me, you're blocking and you're short gripping
Speaker:and you're rolling your hands off the bracket, right? So we always start
Speaker:reading that isn't that a good thing? Sorry to interrupt.
Speaker:Isn't that a good thing? Because that's all I use in the short court when I hit
Speaker:as a warm up for myself is just feeling the ball on the hand.
Speaker:Because I don't have a full swing. The racket's just in front.
Speaker:No, because what do you want to do with your hand? You want to lengthen your hands?
Speaker:I want to lengthen the swing but not my hand, right?
Speaker:But when you lengthen the swing, what are you doing with your hands?
Speaker:The same thing I'm doing at the net, which is a nice easy
Speaker:up the back of the ball stroke or underneath the ball.
Speaker:Wow, well, we're moving on for the next 10 minutes. It's been like, thank you.
Speaker:With a play, it's the ball, he's not doing that. He's doing that.
Speaker:Is that why I'm bad at tennis? Is that what you're pointing out?
Speaker:I did not say that on my TV, in his podcast. He did not say it.
Speaker:I know you didn't say it, but it's what I heard.
Speaker:Well, you know, your hands are so important that you can't let go of that.
Speaker:I spend the first five minutes of most lessons making people understand
Speaker:the first thing you want to do is get those hands hitting up and through the ball
Speaker:and lengthening the swing, not shortening the swing, and trying to be elastic and loose.
Speaker:Because that's it, if you watch the plays in their first five minutes of their match,
Speaker:then they've already warmed up before they've hit the court.
Speaker:But as they get to the court, they're learning to see the ball, get the preparation,
Speaker:get everything right for the section wise and reading.
Speaker:They're equated up the other end by getting their hands and the eyes and the
Speaker:hips, like getting it all set. Then the legs get involved. Then the weight trend, then everything
Speaker:builds up from there. But their hands are just so critical.
Speaker:So aside from the fact that we figured out, I'm bad at tennis today, how are you going to advise me?
Speaker:Or why I'm bad at tennis? Well, there's it. So here you go. Justin, yo, fix me.
Speaker:So let's say I'm doing this wrong. I'm doing that short court. You're going to suggest not to.
Speaker:Let's say it's my pre-warm-up routine. Maybe I don't have a coach right now.
Speaker:Or even if I go to my coach and they're doing this, don't pick a fight with your coach, of course.
Speaker:But ask the question, say Justin, what are you going to tell me to think about,
Speaker:even if I'm not doing that from my coach personally? What's the one thing you're going to tell me
Speaker:about my hands that I can practice to get back? Well, one way is to practice against a hitting wall.
Speaker:Because that's lengthening and hitting you straight forward. I want a hitting wall in my back yard.
Speaker:I want a hitting wall in my front yard. I want a hitting wall everywhere in the world. I think they're
Speaker:fantastic. So that's one way to help it. And then the other way is just warm up from the back of the court
Speaker:first thing. Because if you're backing off the ball, the ball's going to go short and you can't
Speaker:rally with your opponent. You can warm up properly. So, you know, your first instance,
Speaker:to be able to get that length, is you're going to have to eventually get your hands
Speaker:directly pulled all the way. It just won't happen. It'll be fun to knock it.
Speaker:Hear that Atlanta. Get rid of the short court warm-up. Go back to the baseline. Tell everybody,
Speaker:you know what Justin Yo says? There's a better way to do this. We're doing it this way from now on.
Speaker:Everybody, we just changed the tennis warm-up for 100,000 people right here. I like it.
Speaker:Yeah. Justin Yeo, 10 minutes of tennis. Thank you so much. We'll see you next week. I appreciate it,
Speaker:buddy. 10. You have to stay elastic. You have to stay moving.
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